In Theatre , W. Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa –introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is one of the greatest actresses England–so good, in fact, that perhaps she never stops acting. It seems that noting can ruffle her satin feathers...(展开全部)

In Theatre , W. Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa –introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is one of the greatest actresses England–so good, in fact, that perhaps she never stops acting. It seems that noting can ruffle her satin feathers...(展开全部)

罗伯特·科恩（Robert Cohen），美国职业导演、剧作家和戏剧评论家。1965年获耶鲁大学戏剧学院导演艺术博士学位，同年创办欧文加州大学戏剧系，并担任系主任，现为该系讲座教授。曾获美国大学的最高荣誉UCI奖章和美国高等教育戏剧协会职业成就奖。他的剧本和学术著作在美国、欧洲和非洲出版，后者主要涉及五种舞台演出研究，其中《表演第一课》（Acting 0ne）、《莎剧表演》（Acting in Shakespeare）和《表演的力量》（Acting Power）分别被翻译成四种语言。

著有《圖書館戰爭》系列、《植物圖鑑》等作品的人氣作家有川浩， 在此為各位獻上青春熱血的溫馨舞台劇世界！ 「兩年間要賺回三百萬，不然就收團！」 旗子劇團面臨創團以來的最大危機！ 超級新星羽田千歲一入團，卻引發演員們的離團潮，同時，劇團還負債高達三百萬！ 愛哭鬼團長為了還債只好伸手向哥哥借錢，然而，討厭劇團的哥哥開出的條件竟是？ 擅長以溫暖細膩的筆法描繪人物的有川浩，此次將進軍舞台劇世界。 本作以舞台劇的世界為基礎，描述一群熱愛演戲但卻不善經營的劇團成員， 如何在背負三百萬債務下奮力成長的故事。明快詼諧的對話與高潮迭起的劇情， 讓人有如親臨現場欣賞舞台劇一般，現在，就請入座，欣賞有川浩與旗子劇團的精采之作吧！ ──有多少人在生命走到盡頭之前，曾經體驗過眾人一起驚喜、狂歡、哭泣？ 「守財奴有什麼不好！錢才是正義！」 「我也想前往她所在的世界──靠自己的才藝...(展开全部)

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic t...(展开全部)

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic t...(展开全部)

著有《圖書館戰爭》系列、《植物圖鑑》等作品的人氣作家有川浩， 在此為各位獻上青春熱血的溫馨舞台劇世界！ 「兩年間要賺回三百萬，不然就收團！」 旗子劇團面臨創團以來的最大危機！ 超級新星羽田千歲一入團，卻引發演員們的離團潮，同時，劇團還負債高達三百萬！ 愛哭鬼團長為了還債只好伸手向哥哥借錢，然而，討厭劇團的哥哥開出的條件竟是？ 擅長以溫暖細膩的筆法描繪人物的有川浩，此次將進軍舞台劇世界。 本作以舞台劇的世界為基礎，描述一群熱愛演戲但卻不善經營的劇團成員， 如何在背負三百萬債務下奮力成長的故事。明快詼諧的對話與高潮迭起的劇情， 讓人有如親臨現場欣賞舞台劇一般，現在，就請入座，欣賞有川浩與旗子劇團的精采之作吧！ ──有多少人在生命走到盡頭之前，曾經體驗過眾人一起驚喜、狂歡、哭泣？ 「守財奴有什麼不好！錢才是正義！」 「我也想前往她所在的世界──靠自己的才藝...(展开全部)

Community theatre is an important device for communities to collectively share stories, to participate in political dialogue, and to break down the increasing exclusion of marginalised groups of citizens. It is practised all over the world by growing numbers of people. Eugene van Erven, who is one of the world's foremost experts on Asian political theatre, has put together the...(展开全部)

简介：一次莫名其妙的穿越～成为这个世界最厉害、最聪明、最俊俏的他的唯一的徒弟！他宠爱过度～神尊……苏无忧又欺负师弟们啦！“欺负就欺负了，死不了就行！”神尊……苏无忧把您千辛万苦移植过来的花都拔了！“无妨，她喜欢就随她拔”神尊……魔教教主把苏无忧强行带走啦！“所有人听令！速速随本尊前往魔教圣地……本尊要灭了魔教教主”[正在加载中……]

简介：妈妈说透剧不是好人